Radiant Impressionism.

“I’ve been painting for as long as I can remember. My fascination with art began when I was young, after seeing Monet’s Water Lilies in London, and that early fascination with light, colour and atmosphere has stayed with me ever since.”

My work sits between abstraction, impressionism and landscape. I’m particularly interested in the relationship between light and dark, and the way colour can change our perception of a landscape. The sky, water and constantly changing effects of light are recurring influences in my paintings.

I studied Fine Art at the Byam Shaw School of Art and Design in London, now part of Central Saint Martins, before moving to Bristol where I completed a BTEC Diploma in Fine Art at Spike Island.

“I’m still learning, still experimenting and still looking for new ways to push the work forward.

And that, for me, is what keeps painting exciting.”

I have since exhibited work in galleries across the UK, New York and more recently Boston USA.

I regularly take part in major art fairs including Battersea and Hampstead in London, as well as the New York City Art Fair. Each July, I also exhibit at the Henley Festival, alongside special presentations at the Henley Royal Regatta Gallery. I also exhibit work in Boston Massachusetts.

Live painting in the Henley Royal Stewards enclosure over the Regatta, 2026.

Having spent many years rowing and coaching, I developed a strong connection with the water and the landscapes surrounding it. In 2001, I was part of the Leander Rowing Team that won the Thames Challenge Cup at Henley Royal Regatta. That relationship with the river, the landscape and the atmosphere of Henley continues to influence my work today.

At the core of my practice is an ongoing fascination with light and water, and the way they fracture, reflect, and dissolve form. I work with rich, layered colour, often using impasto to create surfaces that feel energetic and tactile. More recently, I have begun incorporating graffiti-style paints alongside traditional oils, pushing my work towards a more contemporary edge while maintaining a connection to classical painting techniques. This fusion reflects my continued desire to experiment and evolve, blurring the boundaries between abstraction, structure, and expressive mark-making..

Bristol Suspension Bridge.

Commercial Art Projects.

Alongside my gallery work and private commissions, I have developed a growing portfolio of artwork for commercial and hospitality spaces.

Recent projects include a series of artworks for the Dishoom head offices in London, a collection of 15 works for a Financial Services building in the City of London, and a commission for the Hilton Hotel in Oxford..

Hilton Garden Inn, Abingdon, Oxford.

“I have also created a large-scale work for Deakin & Francis, displayed in their London shop, as well as artwork for the Royal Hotel in Winchester.

These projects have given me the opportunity to work on a larger scale and to create artwork specifically for the character, architecture and atmosphere of each space. I particularly enjoy the challenge of producing work that has an immediate visual impact while still retaining the energy and individuality of my paintings.”

St Catherine’s Hill

Winchester Royal Hotel

Commission

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If you have any questions about a bespoke art piece please message. Commissions are a personal art journey between the artist and consumer.

Miniatures can be painted on much larger scales if anyone requires.

Interested in a painting, just ask “WHY NOT”

Dream it.

“It all begins with an idea, but the exciting part is putting those idea’s into practice. Memories are a part of what make the people we are today. They can impact our lives, direct our live’s and our future’s in all kind’s of way’s. I like to help share those memories by expressing those emotion’s with paint”.

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“Sometimes’s a painting means so much more” A quote used by the owner of this work

Make it.

For me, producing a commission is about capturing a moment, by gaining an understanding with the person or people. “Freeze frame it, and tell me what it looks like”.

“Seeing people smile”

Live it.

“At the end of the day, seeing people happy, smiling and satisfied, this is what makes me enjoy painting”.